Tourists

Gwen Strauss

An illustration of flowers growing from a hanging branch from Wisteria Botanical Magazine.

Weary from travel

I seek a lodging for the night--

Wisteria flowers.

                                 -- Basho

 

Together after half a year apart

we've come to rest in Athens,

to reopen folded letters,

 

to smooth edges of worn journals,

to confess in cafés on afternoons

of retsina. But first we suffer

 

jet lag. You sleep, I sit

on the windowsill

smoking a cigarette and it begins:

 

tomorrow, we will get drunk

on cheap red wine and promise to marry,

to settle in these limestone cottages,

 

paint views of the Aegean,

trip over children and roosters,

grow fat on feta, cucumbers, tomatoes.

 

Isn't this the place, you ask, where

Lord Byron drew graffiti?

Toasting our sedentary future,

 

while Greek women

dressed in mourning pass us,

you call them bitter-black olives.

 

We laugh. Then I remember

my grandmother's hands, what she could not

forgive, gnarled olive trunks.

 

Hung over, the day after

we will remember we are homesick

tourists who cannot marry.

 

But before all this happens,

I lean out the window beside where you sleep

and almost see it unravel,

 

the vagabond yearning

for permanence, like Basho on the road

in worn-out straw sandals 

 

so tired he sees into beauty.

Traveling does that: reduces us,

Why else would we travel?

Not for the sights,

 

or the coming home, or these

passionate reunions, but pilgrims

for one fugitive moment

 

when we forget our endless

comparisons: this country to our own,

this hotel to the last,

 

this man to the sleeping others; forget

the weight of memory, shed

to an epiphany of wisteria flowers.

A Note on the Author:

Gwen Strauss is an award-winning author and poet, whose titles include ‘Trail of Stones’, ‘The Night Shimmy’, ‘Ruth and the Green Book’, and ‘The Hiding Game’. Her latest book, ‘The Nine’, released in 2021, follows the true story of nine female resistance fighters as they escaped a German forced labor camp, and made a ten-day journey across the front lines of WWII. The Wall Street Journal called it ‘a narrative of unfathomable courage’, and wrote that ‘Ms. Strauss does her readers—and her subjects—a worthy service by returning to this appalling history of the courage of women caught up in a time of rapacity and war’.

Gwen’s poetry, short stories and essays have appeared in numerous places including The New Republic, New England Review, Kenyon Review, The Sunday Times and Catapult. She lives in Southern France where she works as the Director of an artist residency and cultural program at the Dora Maar House.